Showing posts with label Film: Dr No. Show all posts
Showing posts with label Film: Dr No. Show all posts

Thursday, 5 October 2017

Global James Bond day: Best photo!


A funny thing happened last night. I dreamt that I was invited to a meeting with Barbara Broccoli and Michael G. Wilson and the rest of the team at Eon Productions. I actually have been to such a meeting back in the day when they were shooting Die Another day.

After such a night I got really surprised when I woke up to find out that it was actually Global James Bond day today.

Global James Bond day has its origin in the first film release of Dr. No in UK on October 5th 1962.

So today Facebook and Instagram have been flooded buy people wishing to salute the worlds lest secret agent. And so will I.

What I wish to do is to share my favourite picture from the creation of the first film. It is below and is a promotion photo taken of the two producers, Albert R. Broccoli and Harry Saltzman together with their lead actor Sean Connery and one and only true inventor of the whole thing, Ian Fleming.

I believe I have read somewhere that these photos were only produced for publicity.
Below the first picture is a second picture made to look like Ian Fleming is signing a contract there and then. This was of course done long before Sean Connery joined the team and also Saltzman was the sole owner of the rights for some time before Broccoli showed interest.

Happy Anniversary Mr Bond!

Any reader who has a favourite photo connected to James Bond. Please share below!

Notice the pre Bond photo of Sean Connery on the table.

  


 

Saturday, 20 February 2016

Ian Fleming's salary for the first James Bond film


In 1961 Harry Saltzman and Albert R. Broccoli formed Danjaq together to produce the first James Bond film. The name Danjaq was the first three letters from their wife's name Dana and Jacqueline.

Harry Saltzman had an option for the James Bond books that was running out and Albert R. Broccoli used his contacts with United Artists to make sure they had the funds to produce the film and a world wide distributor to make the film accessible to cinema owners.

Ian Fleming had tried to get his creation sold to a film or television producer for a long time and the only thing he had managed to sell was the first story Casino Royale that had been made into a one hour live TV broadcasting in the US in 1954. He was in other words also keen on getting a contract signed.
Fleming also had problems with a lawsuit at the time and was accused of stealing the story for his latest book Thunderball and a very costly trial was on its way. Therefore the story Thunderball were not able to be included in the contract either. 

On June 9, 1961 Flemings US agent created a contract to sell the rights to use his creation on film. The contract was quite simple and consisted of three parts.

1. Ian Fleming received $50,000 as a signing fee for the option. 

2. When the film went into production Ian Fleming received another $100 000 for the film rights. 

3. Ian Fleming would receive 5% of the producers profits.

Now it is that third rule that made me write this blog post. I am truly curious to know if the Ian Fleming estate still receives 5% from each Bond film being made or if they at least receive 5%  of a the incomes Dr. No makes every year from broadcasting, VHS, DVD and Bluray sales. In that case the Fleming estate is still in truly great shape.
Nowadays when you draw up these types of contracts you usually write that "all upcoming release formats are included" making sure to follow the trends and not being left out.

Does anybody know if the Ian Fleming estate still makes profit from the James Bond films? Have they ever comment on this?

Below is a press photo created to look like Ian Fleming is signing the contract for his creation. In real life this was signed long before Sean Connery was chosen to play the lead.


Saturday, 16 January 2016

Happy birthday, cinematic Bond


Did you know that it is James Bond Cinematic birthday today? Back in 1962, Director Terence Young started shooting the first James Bond film titled  Dr No on January 16, 1962. Today in other words.

When I was in London in early December (you can read about that trip here) I spent a few minutes at The Cinema Store and added to the collection the Cinema Retro's magazine Movie Classics dedicating 148 pages to all there is to know about the making of Dr No. 

I am so happy that I bought this magazine becuase by having it in my backpack I had no problem letting the wife go inside any shop she wanted. I just sat down on a chair picked up the magazine and started reading. It is an fantastic collection of articles and photographs that I have never seen before.

I can not stop thing about what went through the minds of people like Sean Connery, Cubby Brobboli, Harry Zaltsman, Terence Young and Ian Fleming. Was Fleming there on the first day of shooting since he stayed at his house GoldenEye at the time. I know he was there later as you can see on the photo to the right. I also must mention how bold I think it was to put "The first James Bond film" on the poster. But if the fim had flopped no one would have remembered it anyway. 

As most of you know Thunderball was supposed to be the first James Bond film but due to a court case with Kevin McClory about who actually wrote the story producers decided to go with Dr No instead with a script based on the novel released in 1958 with the same title. If you wish to read more about the court case you can do so here.

So are you still not sure If you wish to own this amazing Dr No magazine? Well all I can do is to say that I love it and that it contains the following:

  • Matthew Field provides exclusive interviews with Ursula Andress, screenwriter Johanna Harwood and animator Trevor Bond
  • Sir Christopher Frayling interviews Sir Ken Adam
  • Lee Pfeiffer and Mark Cerulli interview designer Joseph Caroff (the man who designed the 007 gun logo)
  • Steve Oxenrider interviews Marguerite Le Wars (who played the sexy Jamaican photographer)
  • Lee Pfeiffer interviews legendary artist Mitchell Hooks, the man who created the artwork for the film poster
  • Adrian Smith interviews Bettine le Beau (who played the secretary to Prof. Dent)
  • Steve Oxenrider tracks down and interviews the Jamaican cast members and entertainers seen in the film
  • Ajay Chowdhury and Matthew Field provide an exclusive interview with Monty Norman, composer of the James Bond Theme
  • Howard Hughes looks at the changes between the Ian Fleming novel and the film version
  • Martijn Mulder looks at Jamaican locations then and now
  • Gary Giblin provides insightful analysis of the film's production history
  • Oscar-winning sound technician Norman Wanstall recalls creating the innovative sound effects for the film
  • Directors Joe Dante and Brian Trenchard-Smith provide personal homages to the movie 
  • The life of Ian Fleming by Michael VanBlaricum
  • Production Buyer Ron Quelch recalls the challenge of obtaining props for the film
  • Alan Tomkins, the last surviving crew member who worked for Ken Adam in Jamaica, recalls his experiences on the film
  • Never before published interview with the late Timothy Moxon ("Strangways")
  • Foreword by David V. Picker, the man who sealed the deal to bring James Bond to the silver screen
  • The lives and careers of legendary producers Albert R. Broccoli and Harry Saltzman 
  • The Unseen Dr. No: scripted scenes that never appeared in the final film
  • Rare production stills
  • Steve Oxenrider interviews actress Yvonne Shima ("Sister Lily")
  • The Dr. No comic books
  • Behind the scenes photos
  • Vintage archival comments about the film from Sean Connery
  • Dr. No toys and collectibles
  • Rare international movie poster art
  • Rare production stills
  • Behind the scenes photos
  • Rare international movie poster art

    You can order your copy of the magazine here or on Ebay for as little as £10.

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