My interview with Michael Gillette, Part 3

The blog has had the opportunity to interview Michael Gillette. Michael is the artist behind the 2008 Ian Fleming James Bond book series covers. The books are really hard to find these days but the magnificent covers can be bought as art prints on Michaels website. 

Michael is selling the artworks and is currently offering all blog readers a 10% discount if using the discount code "007". This discount offer expires on Sunday the 7th of October 2018.  

Let the interview begin shall we!

1. Tell us about your career prior to your work on the Ian Fleming novels.

I’d been working for about 15 years at that point, time goes quickly! I started out doing work for the music industry in London. 

I did videos and sleeve work for Elastica and Saint Etienne, and made illustrations for music magazines. I painted a lot in acrylic. 

In 2001 I moved to San Francisco, and worked more digitally. I carried on working for all manner of clients, the Beastie Boys, Levi’s…

I have a retrospective book “Drawn in Stereo” the story unfolds there!

"Original painting for Diamonds are Forever: As I went through the set, I realized I had too many facing left, so flipped her. Then the painting was tinted digitally, and the type added". (C) Michael Gilette

2. How did you land the Ian Fleming job, How were you contacted?

I was contacted by a friend I’d known in London who was a book designer for Penguin. Jon Gray. He uses the name Gray318 for his work.

He said he had a project that was “Bond like” and would I like to do a test? I said yes, and pretty soon after, he told me it was actually for Bond!

Then I went on holiday for a couple of weeks and came home to find the test had been approved and I got the job.

3. Was there a long discussion on how they should look like before you actually made them. Did the Ian Fleming estate have many suggestions?

Not really, the idea of the titles on  the backs of Bond Girls was floated from the beginning. Jon asked if I could do the type.

I suggested that all the girls should be different colours.  The Fleming estate would occasionally make contact if one of the girls was not matching the description in the book. 

They were pretty easy to work with. I was told that the nudity should be tasteful, no nipples! I agreed with all the directions I was given.

Original thumbnail for Goldfinger, preparatory sketch, finished art. (C) Michael Gillette.

4. What materials have you used to create your drawings. 

I drew them in watercolour pencil, and watercolour paint. I then tinted them digitally in Photoshop. I had to make sure that I balanced the whole rainbow spectrum, so I needed the flexibility to change the colours as I went along.

I did them over the course of a couple of months, I was doing 2 or 3 a week, so they were coming thick and fast!

5. Is there any of the drawings you like the most?

I really like Moonraker, but  I’m happy with them as a set, I think they came out well and flowed pretty easily.

6. Is the Fleming covers your biggest success to date?

They certainly have held up. At the time I thought it was just another job, albeit a good one, which I was very happy to do. 

When they came out, in 2008, I started getting a lot of attention. Initially some negative, from diehard Bond fans who have very strong ideas how things 007 should be. 

Then I got a flood of positive feedback from the design world. Over time I got to understand the Bond world, and that I’d been incredibly lucky to have become involved with a very powerful franchise. 

James Bond is an amazing folk hero, an archetype of British goodness in the face of evil. I’m very blessed, in my own small way, to have been part of his world. 

Obviously this world is much bigger than anything else I’ve been involved with! I’m very grateful to have had the opportunity to be associated with it. I’ve found the community really wonderful. 

When I started making the prints, my relationship with the Fleming estate grew. They have been very supportive and I value them greatly. I am 1000% grateful.

7. There seems to be two different covers for On her majesty’s secret service, why is that?

I felt that the first one lacked a little sexiness! As the woman who marries Bond, I thought she should be more special. Overtime I’ve come to appreciate the first version, and I like it more.I also redid Thunderball. The first version printed a sickly grey/ green. The second version was much better I think.

On her Majesty’s Secret Service Original cover. German cover version 1&2: "I repainted her because I thought the original was a bit reserved. I painted her with dark hair and eyes, but the estate pointed out that she had blonde hair and blue eyes in the books, I’d forgotten, so I retouched her". (C) Michael Gillette

8. In Germany you also did the covers for the John Gardner novels. Did you land that job the same way?

The publisher contacted my agent, I redid the type of the Fleming covers in German, then did the Gardener covers.

9. Do you have a favourite among those cover as well?

I like the ICEBREAKER cover. As a set they are more pulpy. 

I wanted to do something different, but as they are girls too, they are not far enough away from originals.

For a long time I‘ve been thinking of how to approach making another set of Fleming covers. I get asked all the time when I’m going to make more.

It is quite a difficult challenge, as one has to bring something new to the table, whilst honouring the incredible history of Bond. 

Recently the covers have all been type based. A couple of months ago I had an idea for a style that might work, and pretty soon I’d made covers for all of the set. 

They are very different from the girls. They are punchy and graphic and I made them all digitally. They look really iconic and I think they work very well....

Original German drawings of Icebreaker (left) and Brokenclaw (right) (C)Michael Gillette

10. Can any of your original drawings be bought?

I sold a couple of the Gardner paintings earlier this year, The Fleming paintings- not  at the moment, but I’ll let you know! I have a full set of the hardback books which I think I ‘m going to sign and sell on eBay soon.

11. I have seen your dogs compilation what more do you have in your pipeline.

Ah the dogs! I have some other exhibition work in the pipeline, there’s always something going on, and I’m excited to see what arises next. 

If you haven't yet visit Michaels website, here is the address once again www.michaelgillette.com

Michael Gillette working on his secret James Bond drawings hoped to be reviled soon.

Added to the collection: Four very rare chinease James Bond novels

Added to my collection of James Bond books from around the world with appealing covers are the below for James Bond novels from both Ian Fleming and John Gardner.

The titles are Live and let die, Goldfinger, Role of Honour, For your eyes only and Nobody lives forever (spelled "for ever"). A funny thing about these books is that For your eyes only and Nobody lives forever are both put together in one book. This is the first time I have ever come across a collection of James Bond novels were both the work of Ian Fleming and John Gardner are in the same book.

The one thing I have trouble finding out with these James Bond stories are if they are legit and royalties have been paid out or if they are pirated.

Below are pictures of the cover artwork for the different books.

 

Live and let die by Ian Fleming

Nobody lives forever by John Gardner & For Your eyes only  by Ian Fleming

Role of Honour by John Gardner

Goldfinger by Ian Fleming

Added to the collection: A rare proof copy

A proof copy of a book is a far less version of the original book. These are printed in very low numbers to be able to make people at the publishers to search for errors that can be changed when the actual first edition is released. Proof copy's are also sent to big book shops and dealers as a marketing tool to make them interested in a book soon to be released.
Most of the proof copy's never survives past the release of the first printing of the regular books. These make them highly sought after amongst book collectors.

When I was in London this weekend I went to a dealer at Portobello road that I had done business with before.
Amongst his offerings was a proof copy of John Gardner's first bond novel LICENCE RENEWED from 1981.
As I write above these books are rare but to actually have a dustjacket that also says proof copy is even more rare.

Here we can see the differences with the first edition. On the proof they do not name the publishers and the actual selling price of £6.50 is mentioned on the proof but was removed on the first and changed to a sticker instead. (In my collection I also have a book signed by John Gardner that does not have the price sticker of £6.50.

So what did I pay for this book then? Searching the internet I cant find anything like this currently for sale. I do find some other Proof Copys of John Gardners Bond novels without the dust jacket and they are on sale for £250. I bought my copy with the dust jacket for only £30. It is nice to have some hunting luck sometimes.

Note that someone made an error with the release date on the dust jacket!

The one time James Bond went to Sweden

Many of the worlds James Bond fans often get a visit from 007 either in the novels or the films. If you are British then you know that James Bond is your guy, doing all the dirty work for your queen and country.

If you are Swedish, like me, then you do not have that connection. James Bond has never gone to Sweden in any film and probably never will. You see the films only take place in countries and cities that MGM and EON Productions can benefit from. Countries with big amount of inhabitants that can lead to big box office sales when the film is released. A clear example of this is the car chase in SPECTRE that was set in Rom and the pre title sequence for the same film set in Mexico city.

No in Sweden there only live 10 million people so I am (sadly) quite certain that a Bond film will never take place here.

But 007 has been to Sweden once in the books. It was actually his mission here in Stockholm, a few meters from my day job in Old Town that Ian Fleming decided that James Bond should assassin his second victim. A mission that would give him his so famous double 0 status.

Ian Fleming tells the short story in the first novel Casino Royale on page 163.

"The next time in Stockholm wasn't so pretty. I had to kill a Norwegian who was doubling against us for the Germans. He'd managed to get two of our men captured - probably bumped off for all I know. For various reasons it had to be an absolutely silent job. I chose the bedroom of his flat and a knife. And well, he just didn't die very quickly
For those two jobs I was awarded a Double 0 number in the Service".

And that is it. That is the only time James Bond has been in Sweden. The above episode in Stockholm was later picked up in John Pearson's excellent James Bond book called James Bond: The Authorized Biography of 007. In that book the assassination by James Bond in Old Town, Stockholm, is a hole chapter. The only problem is that Pearson writes that Bond goes in to a bakery and buys a peace of a Smorgasbord. The problem is that a Smorgasbord is nothing you can buy a peace of. A smorgasbord is a table full a food that you can choose from. Just like a buffet.

In the 1980 when John Garner started to write the James Bond novels he blessed 007 with a new car. A Swedish SAAB 900 TURBO. But that's another blog post later on. 

A Swedish Smorgasbord